Abdulrahman Jabakhanji
student
Beirut Arab university, Faculty of Architecture, Tripoli
Lebanon
Architecture
the idea of my graduation project came from the location itself. My site is located near to the one of the permanent soldiers' checkpoints in Lebanon, AL… more
Ho-gyeum Kim
advisor
Columbia University, Columbia Graduate School of Architecture, Planning and Preservation
Republic of Korea
Seasoned architect with expertises in multiple uses, including Mixed-use highries, hospitality,… more
The ambition to transform a danger zone into a creative enclave through art is undeniably bold. The metaphorical use of curved walls as borders, harmonizing with the natural topography and housing art boxes, makes a profound statement about infusing creativity into the environment. These walls serve as pivotal structures, seamlessly integrating built forms with the terrain while simultaneously offering both enclosure and glimpses of the surrounding landscape. The interstitial spaces between the retaining and open walls hold immense potential for dynamic interactions, enriched by performances, sculptures, and paintings.
While the concept of the walls is strong and unifying, breaking away from the uniform one-meter extrusion could greatly enhance the design. Embracing the site's slope, a sloped wall adorned with protruding architectural elements—such as stairs and ramps connecting galleries—could foster greater connectivity and engagement within the interstitial spaces. A thicker poche could accommodate exhibition spaces within its core, particularly when integrated with the gallery bars.
The formal relationship between the walls and gallery bars warrants reconsideration. Currently, the design presents a singular relationship with gallery bars partially embedded atop the walls. Varying this relationship based on the type of art housed within each gallery box could add depth and nuance. For instance, for tranquil art forms, fully embedding the bar within the thickened wall could create a sense of serenity, while for more dynamic art types, a single point of contact between the bar and wall could evoke tension, complementing the cantilevered gestures of the galleries.
Overall, this project shows great potential to evolve into a dynamic and enriching creative environment. With careful consideration of the suggested refinements, it has the opportunity to further elevate its impact and effectiveness in revitalizing the surrounding area into a thriving hub of artistic expression and community interaction.
Dear Ho-gyeum Kim,
I hope this finds you well. I want to extend my sincerest gratitude for taking the time to provide such insightful feedback on my architecture graduation project, which I submitted for the Inspireli competition. Your thorough analysis and constructive criticism are greatly appreciated.
Your acknowledgment of the project's ambition to transform a danger zone into a creative enclave through art is appreciated and the suggestions for enhancing the design's connectivity and engagement, as well as refining the formal relationship between walls and gallery bars, are noted and valued. I look forward to exploring these ideas further to elevate the project's impact and effectiveness.
I am truly grateful for the opportunity to participate in the inspireli competition and engage in this meaningful dialogue with esteemed professionals like you.
Warm regards,